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Friday, April 1, 2016

What you get to keep



My airbnb in Barcelona was an apartment seven floors up in the middle of the Gothic Quarter. It was spacious, brimming with art, lined with books. The couple who lived there was equally as lovely. Luis, perhaps in his eighties, had a sunny smile and slicked back white hair. Pilar had bright blue eyes and never sat still for long. They glowed with grace and graciousness, and I longed to communicate with them.

I tried to introduce myself the first night, to thank the two for their hospitality. I reached for my Spanish, but in its place was Darija. I tried the basic phrases I knew from past Spanish classes, from my childhood, from general knowledge, but instead of Como esta and encantado, out came Labas and Mucharfin. I rummaged within myself. But no, eight months of language study and exhaustion, left me at a total blushing loss. Pilar and I could speak French with each other, but Luis and I were left with gestures and makeshift sign language. The MOST rudimentary Spanish on my part, a few words of English on his.

Luis knocked on my door the first night, asked how I was, asked what my name was, and checked to make sure I had the key for the front door. I assured him his son had given me the key. All was well. A few minutes passed and there was another knock on the door. Again, what was my name? Was I doing alright? Did I have the key? Lindsey, great, yes I had everything I needed, thank you! This time ten minutes passed before there was another knock and we confirmed the information of the last two conversations.

I woke up the next morning to the most beautiful piano music I’d ever heard. I assumed it to be coming from another guest or perhaps Pilar, who looked like an artist. Elegant and spry, it was easy to envision her at a music stand or easel. By the time I dressed and left my room, the foyer was empty and the piano had its cover on. Maybe it had been a record, I thought.

The next day I walked out of my room and there was Luis, focusing all his energy on putting one foot in front of the other. His walker was behind him. He smiled, seemed a little embarrassed, shuffled back a few steps.

“Paso y paso,” he said.

The next morning I woke again to the music and this time I followed the sound. I walked down the long hallway to find Luis hunched over the keyboard. His arms reached out to each side, his hands moved up and down, falling on the keys like a marionette’s. I sat down, transfixed; I had tears on my cheeks that I wouldn’t realize until later. It sounded like there was a thunderstorm in him. It felt like I’d never heard music before.

It had none of the uprightness of sheet music, nothing of the rigid form of a known concerto. It poured out of him and turned, changed streams, wound around stony bends. It followed the strength of its own flow, evolving and growing, breathing life and strength. He came to a conclusion and turned around, looking at me as though I’d walked in on him washing the dishes.

“Su nombre?” he asked. I told him.

He nodded and pointed to the piano, whose sound just a moment before had been tearing out my insides. “This song. Its name now… Lindy.”

I spent the rest of the mornings I was there on the couch by the piano, listening to his daily compositions.

“Since I was very small,” he said one morning in between songs, “music and I are friends.”

I made a sound that was part laugh-part sob. I thought to myself, you bought a plane ticket to sit on this couch, listening to this man to whom you can’t speak three words.

I’d spent the past year living in a city built around the business of selling songs. If I rub these two pennies together like this, maybe it’ll be a hit? But I couldn't believe that the aim of music is a business or that the height of expression is a competitive TV show. It has worth outside of money and acclaim. It's got to be the closest we can come to the soul.

And as for the music I made, had been making for years in fact... At best, I felt self-conscious about it. At worst, I worried it was a waste of my time, ceaselessly coming up with tunes in my bedroom, toiling over lyrics I’d sing for no one.

But wasn't this proof of its worth? That you can get to an age where nothing can be taken for granted. You can struggle to walk; you can forget your own name. You can lose your muscle, your memory; you don’t get to keep it all. But my friend Luis had music in him as a little boy and he had music in him now. He got to keep this.

Back in Rabat now, there are days when I can get by in Arabic. There are moments where I converse freely in French. Sometimes I’ll teach an English lesson that feels clear and exciting. But many days, the words I reach for aren’t there. Sometimes it feels like all my efforts have been for nothing. For having built a life out of words, there are some days when they fail me miserably. But every night, I come back home to my little apartment. I pick up my guitar and I play.

And every morning, seven floors up in the middle of the Gothic Quarter of Barcelona, there’s a man sitting at a piano, speaking a language I can understand.

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